Solo Exhibitions:
2007 
La Jolla, California, Quint Contemporary Art, A Rich Fantasy Life, April 7-May 12 

2006 
Madrid, Galeria Moriarty, November 24-January 8, 2007 
Amsterdam, Vous Etes Icii, October 14-November 11 
Milan, Paolo Curti/Annamaria Gambuzzi and Co., Never Odd Or Even, September 22-November 3 
East Hampton, New York, Glenn Horowitz Bookseller, Gas, Grass, or Ass (Nobody Rides for Free), May 27-July 3 
Beverly, Massachusetts, Montserrat College, Ryan McGinness: Mildly Subversive, February 24 - April 5 

2005 
New York, Danziger Projects, Ryan McGinness: New Paintings, October 21-November 26 
New York, Deitch Projects, Ryan McGinness: Installationview, October 14-November 5 
Cincinnati, Publico, Ryan McGinness: Wall Paintings, September 23-October 29 
Knokke-Zoute, Belgium, Andre Simoens Gallery, Ryan McGinness: The Burden of Keeping it Real, August 6-September 12 
La Jolla, Quint Contemporary, Ryan McGinness: Pain-Free Kittens, April 9-May 14 

2004 
Paris, Galerie du Jour, Ryan McGinness: Multiverse, December 11-January 29, 2005 
New York, Printed Matter, Ryan McGinness: Bucky Balls, October 9-30 
Madrid, Galeria Moriarty, Ryan McGinness: Living Signs, May 12-July 10 

2003 
Philadelphia, 222 Gallery, Ryan McGinness: Project Rainbow, October 10-November 28 
New York, Deitch Projects, Ryan McGinness: Worlds within Worlds, October 4-November 1 
Los Angeles, Black Market Gallery, Ryan McGinness: Sponsorship, February 7-March 21 

2002 
Tokyo, Gas Gallery, Ryan McGinness: This Dream Is So Life-Like, December 18-January 21 
New York, Printed Matter, Ryan McGinness: Products Are The New Art, November 22-December 31 
New York, Deitch Projects, Ryan McGinness: Dream Garden, (with Julia Chiang), June 29-July 27 
Vancouver, Twentyfour, Ryan McGinness: Fancy Is a Verb, February 15-April 30 
New York, Stux Gallery Project Room, Ryan McGinness: Sign Language, January 12-February 9 

2001 
Tokyo, Parco Gallery, Ryan McGinness: Evolution Is the Theory of Everything, November 30-December 22 
Munich, Galerie de Miguel, Ryan McGinness: Sign Age, September 14-October 20 
Paris, Colette, Ryan McGinness: Pieceofmind, July 2-August 4 
Brooklyn, New York, Joseph Silvestro Gallery, Ryan McGinness: Vocabularytest, May 5-June 3 

2000 
Seattle, Houston Gallery, Ryan McGinness: Shtick, December 9-January 31, 2001 
New York, Alife, Ryan McGinness: Luxurygood, October 1-Novermber 15 

1999 
New York, Zakka, Ryan McGinness: Flatnessisgod, September 10-October 5 

1998 
New York, Chaos, Ryan McGinness: Networking Is a Skill, April 14-May 10 

1997 
New York, Manhattan Athletic Club, Ryan McGinness: No Sweat, May 1-July 31 

1996 
New York, a+a Company, Ryan McGinness: Clever Title Goes Here, November 15-January 15, 1997 
New York, Mad River Post, Ryan McGinness: Slow Children Playing, October 15-December 31 (curated by Gil Presti)

Group Exhibitions:
2006 
Cincinnati, Contemporary Art Center, Graphic Content, December 7 - February 11, 2007 
Greensboro, North Carollina, Weatherspoon Art Museum, Art on Paper 2006, November 12-January 21, 2007 (curated by Xandra Eden) 
Brooklyn, New York, Public Art Fund, MetroTech, The World Is Round, October 27-September 9, 2007 
London, The Saatchi Gallery, Royal Academy of Arts, USA Today, October 6-November 4 
Gateshead, England, Baltic Centre for Contemporary Art, Gateshead, Spank the Monkey, September 27-January 7, 2007 (curated by Peter Doroshenko & Pedro Alonzo) 
Amsterdam, Vous Etes Ici, Amsterdam, H.O.L.L.A.N.D., June 10-July 8 
New York, The Museum of Modern Art,, Since 2000: Printmaking Now, May 3-September 18 
New York, Deitch Projects, The Garden Party, March 9-April 29 
Indianapolis, Indianapolis Museum of Art, Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art, 22 October 2006 - 14 January 2007 
Ithaca, New York, Herbert F. Johnson Museum of Art, Cornell University, Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art, 05 November 2005 - 08 January 2006 

2005 
Ithaca, New York, Herbert F. Johnson Museum of Art, Cornell University, Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art, 05 November 2005 - 08 January 2006 
London, Max Wigram Gallery, London, Threshold, July 7-September 3 
New York, P.S.1 / Museum of Modern Art, Greater New York 2005, March 13-September 22 
Baltimore, Contemporary Museum, Beautiful Losers, June 25-September 25 
Newport Beach, Orange County Museum of Art, Beautiful Losers, February 6-May 15 
Denver, Museum of Contemporary Art, Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art, February 18-April 17 

2004 
New York, Creative Time, The Dreamland Artist Club, Coney Island, June 12-September 6 
San Francisco, Yerba Buena Arts Center, Beautiful Losers, July 17-October 3 
Cincinnati, Contemporary Arts Center, Beautiful Losers, March 13-May 23 
Toulouse, France, Les Abattoirs Museum, La Collection d’Art Contemporain d’Agnès B., April 9-June 13 
Boston, Massachusetts College of Art, Sandra and David Bakalar Gallery, Earthly Delights, January 28-March 17 

2003 
New York, Buia Gallery, Airtight Plan for Killing, October 17-November 29 
Paris, Galerie du Jour, Paris, A New New York Scene, September 18-October 24 
Los Angeles, New Image Art, Lead Poisoning, June 21-August 16 (curated by Rich Jacobs & Marsea Goldberg) 
Tokyo, Mori Art Museum, North Star Video Screening, August 

2002 
Tokyo, Gallery Rocket, SK8 on The Wall, December 20-January 8 
New York, Deitch Projects, Session The Bowl, December 14-February 1 
London, A-Part Gallery, Street Wise, July 25-August 11 
La Jolla, Quint Contemporary Art, Group Show, January 11-February 16 

2001 
Oviedo, Spain, Galeria Dasto and Centro de Arte Dasto, Grandes Arquitecturas Pequenas, September (curated by Fernando Martin Galan) 
New York, Exit Art, Spunky, September 8-October 27 
New York, Ground Zero, Group Show, August 16-31(curated by Jodi Hanel and Jenny Moore) 

2000 
New York, White Box, Critic as Grist, September 7-October 17 (curated by Michael Portnoy) 
New York, Rare, Tomorrow, June 22-July 29 (curated by André?a Salerno and Mari Spirito) 
London, Babylon, Le Salon for Art Collectors, June (curated by Vanessa Suchar) 
New York, Steffany Martz, Group Show, May 25-July 1 
Stamford, Connecticut, Whitney Museum of American Art at Champion, Interior Spaces in Contemporary Art, May 25-August 23 

1999 
Brooklyn, New York, Gale Gates, Size Matters, September 15-December 11 
New York, Rare, Photo Synthesis, June 26-July 31 
New York, DFN Gallery, Road Show, June 3-August 20 
New York, Sixth@Prince Fine Art, Room with a View, May 9-July 10 (curated by Jeff Gleich) 
Los Angeles, Patricia Correia Gallery, LA National Juried Art Exhibition, January 9-23 (curated by Mat Gleason) 

1998 
New York, Archibold Arts, Fresh Blood: 13 Young Artists, October 16-December 30 
London, Vanessa Suchar, Le Salon for Art Collectors, October 1-31 

1997 
New York, Steffany Martz, Summer Invitational, July-August 
New York, Mary Anthony, Wet Paint, May 28-June 30 
New York, a+a Company, Group Show, February 14-March 1 

1996 
New York, Printed Matter, Giftland v: Democra$y, December 4-31 
New York, Artists Space, Night of 1,000 Drawings, December

Bibliography:
2006 
Lamoree, Jhim. “Schilderijen Als Draaimolens,” Het Parool, October 14 
Smallenburg, Sandra. “Logo’s Die Niet Helpen Maar Ontregelen,” NRC Handelblad, October 13 
Neil, Jonathan. “A Bit of What You Fancy: Ryan McGinness,” Art Review,, Issue 4, October, p. 38 
Powers, Bill. “Re-Elect Skull & Bones,” Black Book,, No. 47, October, p. 42 
van der Beek, Wim. “Ryan McGinness,” Kunstbeeld, No. 10 
Spank The Monkey, Baltic Center for Contemporary Art, Die Gestalten Verlag, Germany, 2006, pp. 130-137 
“The Run Up,” Dir. Shaun Roberts & Joey Garfield, Upper Playground & Fifty24SF Gallery 
Fox, Killian. “Spraypainting by Numbers,” The Observer, October 1, Art 2, Review, Critics 21 
Powers, Bill. “Biting Ryan (The Plot Thickens),” Black Book, No. 46, September, p. 67 
Plummer, D’Lynne. “Sign Language: Ryan McGinness,” Art New England, August/September, pp. 18-19 
Murg, Stephanie. “Scents and Sensibility,” ARTnews, vol. 105, No. 4, April, 2006, p. 40 
“Great Museums: MoMA,” Great Museums, Dir. Chesney Doyle, Narr. Debby Wye, Channel 13, WNET April 9 
Edgar, Heather. “Someone Write Ryan McGinness a Song,” Off the Wookie, April, 2006, pp. 39-48 
Palmer, Valerie. “Art Smart,” Anthem, No. 21, March/April, 2006, pp. 40-41 
Hares, Amber. “Noted: Installationview,” Afterimage, March/April, 2006, p. 54 
Cook, Greg. “A Galaxy Far, Far Away,” The Boston Phoenix, March 24, 2006, p. 23 
Alverson, Brigid. “Worlds within Worlds,” North Shore Sunday, March 5, 2006, pp. 11-12 
McQuaid, Cate. “Brand Identity,” The Boston Globe, March 3, pp. D5, D20 
Spence, Rebecca. “How Street It Is,” ARTnews, Vol. 105, No. 2, February, pp. 110-111 
Mac Alpine, Dan. “Prepare to be Subverted-Mildly,” Beverly Citizen, February 16, p. 7 
Bebermeyer, Mary. “Beautiful Losers: Street to the Museum,” Review, February, pp. 40-43 
____. “Installationview: Ryan McGinness,” Reference and Research Book News, Vol. 24, No. 1, February 
____. “Free Wrapping Paper,” Art On Paper,, Vol. 10, No. 3, January/February, , p. 16 
Kuspit, Donald. “Reviews: Ryan McGinness,” Artforum, XLIV, No. 5, January, p. 222-223 

2005 
Biesenbach, Klaus. Greater New York 2005, Museum of Modern Art, pp. 40, 246-247 
Nakamura, Eric. “Book Collector: Installationview,” Giant Robot,, Issue 39, 2005, p. 18 
Klanten, Robert. Hidden Track: How Visual Culture is Going Places, Die Gestalten Verlag, pp. 180-183 
Miller, Jeffrey. “Things We Love,” House & Garden, December, p. 106-107 
Outland, Michele. “Installationview,” Domino, December, p. 145 
Berry, Colin. “Installationview,” Print, November/December, p. 324 
____. “Ryan McGinness: Installationview,” Juxtapoz, No. 59, November/December, p. 76 
Bourgois, Étienne. “Galerie Art Multiplicatif,” B. Story, No. 1, pp. 10, 22-23 
Valdez, Sarah. “Ryan McGinness,” Paper, Vol. 22, No. 5, November, p. 124 
Ollman, Leah. “Ryan McGinness at Quint,” Art in America, No. 10, November, p.189 
Tanner, Dylan. “Ryan McGinness Has Nothing to Hide,” Portland State University Vanguard, November 2 
____. “Goings on About Town: Ryan McGinness,” The New Yorker, November 7, p. 23 
Lappin, Criswell. “McGinness is God,” Metropolis, October, pp. 40, 42 
____. “Vu Pour Vous,” Beaux Arts, October, p. 78 
Motley, John. “Ryan McGinness,” The Portland Mercury, October 27-November 2 
Tanner, Dylan. “The Evelution of Intellegent Design,” Portland State University Vanguard, October 26 
Roberts, Todd C. “McGinness’ Goal,” Res, Vol. 8, No. 4, pp. 39 
____. “Hot List: Graphology,” Harper’s Bazaar, October, p. 211 
____. “Education Is in Fashion,” Vanity Fair,, No. 542, October, p. 74 
Briggs, Newt. “Culture Watch: Punk Art,” Departures, July/August, p. 78 
Schmidt, Jason. “Work in Progress: Ryan McGinness,” V Magazine, Fall Preview, p. 42 
Trebay, Guy. “Keeping T-Shirts In the Moment,” The New York Times, July 21, p. G1, G5 
Yesilada, Merve. “Art That Is Just Wallpaper,” UCSA Guardian, Issue , Vol. 115, July 8 
Nuckols, Ben. “Exhibit Brings Together Artists from Youth Subcultures,” Newsday, July 1 
Heartney, Eleanor. “Return to the Real?,” Art in America, No. 6, June/July, pp. 85-89 
Freeman Gill, John. “Urban History to Go: Black, No Sugar,” The New York Times, June 26, p. CY 4 
Jones, Matt. “Art,” Exit, Issue 10, Spring/Summer, p. 24 
Nakamura, Eric. “Book Collector,” Giant Robot, Issue 37, p. 18 
Moore, Thurston. "Mix Tape: The Art of Cassette Culture", Universe Publishing, pp. 46-49 
Boardman, Mickey. “Home Is Where the Art Is,” Paper, May, pp. 106-109 
Pincus, Robert. “A Win for ‘Loser’,” San Diego Union-Tribune, April 28 
Nakamura, Eric. “Ryan’s Hope,” Giant Robot, Issue 36, pp. 36-41, 82 
Boatwright, Angela. “Inside Look: Ryan McGinness,” The Drama, Spring, p. 12 
____. “Culture Shock: In the Mix,” Gotham, Vol. 5, Issue 3, March, p. 298 
McGee, Celia. “PS 1’s Study in Cutting-Edge,” Daily News, March 11 
____. “Diary of an Overworked Artist,” Black Book, No. 37, February/March, pp. 101-102 
Graff, Philippe. “McGinness chez agnès b.,” Spray, No. 9, pp. 6, 45, 80 
Lameignère, E., “Ryan McGinness,” Redux Magazine, No. 4, p. 16 
____. “30 Global Visionaries,” Planet, No. 9, pp. 6, 45, 80 
Pagel, David. “Fight the System: Search for Beauty,” Los Angeles Times, February 15, p. E1, E4 
Twemlow, Alice. “Well Hung,” Grafik, No. 126, February, pp. 42-45 
____. “Crazy in Love,” Paper, February, p. 48 

2004 
Boatwright, Angela. “Extra Curricular,” Anthem, No. 15, p. 94 
Kawachi, Taka. “Ryan McGinness,” Luca, No. 8, Special Issue, pp. 30-31 
James, Todd. “REAS Presents: Ryan McGinness,” Mass Appeal, Issue 31, December, pp. 74-75 
Nakamura, Eric. “Book Collector: Living Signs,” Giant Robot, Issue 35, p. 24 
____. “Black Book Gift Guide,” Black Book, No. 36, December, p. 50 
Earthly Delights, exhibition catalogue, Massachustts College of Art, USA, 2004 
O’Connor, Pauline. “A Night Out with Ryan McGinness,” The New York Times, November 21, p. ST 4 
____. “The Man-Child Gift Guide,” Time Out, Issue 477, November 18-24, p. 36 
Coleman, Michael. “Beautiful Losers,” Bail, No. 3, Fall, p. 46 
Witkin, Christian. “Big Night (Esquire Style),” Esquire, Vol. 142, No. 5, November, pp. 160-169 
Epler, Matt and Krauss, Peter. “Touring the Studios: Ryan McGinness,” Res, Vol. 7, No. 5, pp. 54-55 
Iwakoshi, Yuka. “In New York City,” Quest Magazine, No. 18, pp. 18-19 
Rose, Aaron. “Beautiful Losers,” Monster Children, No. 6, Winter, pp. 70-83 
Von Poggensee, Amanda. “Reconstructing Reality,” Zink Magazine, October, pp. 216-217 
____. “The New Collectibles,” The New York Times, Style Magazine, September 19, p. 88 
Kawachi, Taka. “Beautiful Losers,” Luca, No. 6, pp. 68-79 
Beautiful Losers: Contemporary Art and Street Culture, Iconoclast/D.A.P., pp. 97, 118, 119, 231, 254 
Petronio, Ezra. “Styles and Styles,” Self Service, No. 21, Fall/Winter, p. 132 
Baker, Kenneth. “Bubbling Over in Talent,” ARTnews, Vol. 103, No. 8, September, p. 102 
Dougherty, Michael. “The Art of the Mix Tape,” Black Book, No. 34, Fall, p. 58 
Sasnaitis, Jurate. “Ryan McGinness: Project Rainbow,” Poster, Australia, Issue 5, Autumn, p. 14 
Stricker, Eric. “Beautiful Losers,” Transworld Skateboarding, Vol. 22, No. 9, September, pp. 200-213 
____. “Ryan McGinness Soccer Ball,” Cargo, September, p. 71 
Gibb, Brian. “Ryan McGinness,” Art Prostitute, Issue 4, Summer, pp. 69-79 
____. “Ryan McGinness,” i-D, No. 246, August, p. 94 
Newton, Matthew. “Style: Beautiful Losers,” XLR8R, Issue 79, August, pp. 72-73 
Nelson, Katherine. “Signs of the Times,” ReadyMade, Issue 12, July/August, pp. 42-43 
____. “Ven a Mi Expo,” Neo2, No. 35, July/August, p. 135 
Sastre, Leticia. “Ryan McGinness,” Vanidad, No. 107, July/August, p. 45 
Jacobs, Kate. “The Dream Team,” Paper Magazine, June/July, p. 32 
____. “Expo: Ryan McGinness,” H, No. 54, June, p. 10 
García Yelo, María. “Ryan McGinness: Living Signs,” Blanco Negro Cultural, No. 645, June, p. 30 
Vozmediano, Elena. “McGinness y la Superabundancia Icónica,” El Cultural, May 20-26, p. 28 
Kawachi, Taka. “We Are Beautiful Losers,” Relax, May, pp. 82-89 
Powers, Bill. “Wearable Art,” The New York Times, Sunday Styles, April 18, p. 3 
Mendelsohn, Meredith. “Ryan McGinness: Deitch Projects,” ARTnews, Vol. 103, No. 4, April, p. 117 
Temin, Christine. “Weird Science,” The Boston Globe, Arts & Performance, February 27, pp. C15, C20 
Bruley, Abigale. “Ryan McGinness: Project Rainbow Connection,” Rockpile , No. 100, pp. 56-59 
Khemsurov, Monica. “Profile: Ryan McGinness,” Surface, No. 45, pp. 113-115 
____. “Neuerscheinungen: Ryan McGinness, Project Rainbow,” Page, February, p. 112 
____. “The Commodificaton of Street Art,” Tokion, January/February,, pp. 42-47 

2003 
Nakamura, Eric. “Book Collector: Project Rainbow,” Giant Robot, Issue 31, Winter, p. 24 
____. “New York: Ryan McGinness,” Elle, Japan, No. 230, December, p. 109 
Amoroal, A.D. “Rainbow Connections,” Philadelphia City Paper, No. 960, October 9-13 
Chen, Aric. “Graphic Language,” hint.com, October, 
Stochl, Gerhard. “A Conversation with Ryan McGinness,” Lodown, Germany, No. 37, Fall, pp. 62-68 
Switzer, Ken. “Pop Culture Gurus” The Village Voice,, Vol. XLVIII, September 3-9, p. 52 
____. “Facsimile Template,” Arkitip,, Issue 18, Fall, p. 96 
Swanson, Carl. “Punk Soul Brother,” Black Book,, No. 29, Fall, pp. 74-76 
King, James. “Design for Kids,” Eye, UK, Number 48, Vol. 12, Summer, p. 86 
____. “Anytime Life-Like: Ryan McGinness,” Studio Voice, Japan, Vol. 326, February, p. 11 
____. “Book Collector: Ryan McGinness (Gas Book 09),” Giant Robot, Issue 28, Summer, p. 20 
McCormick, Carlo. “Ver-The-Counter Culture,” Paper Magazine, May, pp. 86-91 
Design for Kids, Viction Workshop, China, pp. 158-167 
Nadel, Dan. “Y’Know, Cool Stuff...,” Eye, UK, No. 47, Vol. 12, Spring, pp. 18-29 
Fujimori, Manami. “Very New York,” Bijutsu Techo, Japan, Vol. 55, No. 829, pp. 37, 54-55, 278 
Akasaka, Eijin. “Who’s Who: Ryan McGinness,” Pen, Japan, No. 100, February, p. 120 
____. “Julia Chiang/Ryan McGinness,” Sherman, No. 1, Winter, p. 15 
____. “The Great Escape,” Boiler, Italy, January-March, pp. 74-77 
Beatty, Dustin. “Ryan McGinness,” Anthem, No. 8, Spring, pp. 62-69 
____. “Player’s Choice,” Vogue, Japan, No. 43, March, insert, p. 277 
Low, Tad. “Stop Signs: Ryan McGinness Reinvents Your World,” Made Magazine, Canada, Spring, pp. 61-83 
____. “What the World Needs Now: Ryan McGinness,” Relax, Japan, February, pp. 30-33 
Hung Yan Wing, Tom. “Ryan McGinness: This Dream Is So Life-Like,” Milk, China, Issue 78, January, insert 

2002 
Nishimura, Daisuke. “Ryan McGinness,” Atmosphere, Japan, Issue 01, Fall, pp. 2-3 
Damura, Haruka. “Portraits: The Creators,” Flux, Canada, Fall, pp. 13-15 
Nakamura, Eric. “Dream Gardeners,” Giant Robot, Issue 26, Fall, pp. 62-63 
Farrelly, Liz. “Space Invaders,” The Independent Magazine, UK, August 3, pp. 41-42 
Farrell, Aimée. “Vital Signs,” Vogue, UK, August, p. 40 
Zepher. “Royal Elastic Streetwise One,” While You Were Sleeping, Issue 19, p. 30 
Towhindn, Mandana. “Import of the Month,” Dazed & Confused, UK, August, p. 140 
____. “Julia Chiang and Ryan McGinness,” The New Yorker, July 29, p. 17 
ONOX. “Ryan McGinness, Earth Music Artist T Series,” Relax, Japan, August, pp. 124-125 
____. “Ryan McGinness,” Co.S, Contents Supreme, Japan, Vol. 5, June/July, p. 6 
Inspiration = Ideas, Rockport Publishers, pp. 90-95 
Glickman, Adam. “The Disobedients: Ryan McGinness Interview,” Tokion, May/June, pp. 32-34 
____. “Favorite Disks,” Ryoko Tsushin, Japan, Vol. 467, May, p. 113 
Mulvihill, Kieth. “Kitsch and Caboodle,” Time Out, Issue 336, March 7-14, pp. 14-15 
____. “Hot Off The Presses!,” Strength, April, p. 48 
Glickman, Adam. “Dalek vs. Ryan McGinness vs. Ease vs. Ro Starr,” Tokion, March/April, pp. 40-43 
____. “Sunday People,” Relax, Japan, March, p. 134 
Gladman, Randy. “Ryan McGinness: Art & Entertainment,” Strength, January/February, pp. 95-102 
____. “Ryan McGinness,” Art Investor, Germany, January/February, p. 50 
____. “People Around Alife,” Relax, Japan, February, p. 84 
Kawachi, Taka. “Art: Ryan McGinness,” Ryoko Tsushin, Japan, Vol. 462, January, p. 137 
____. “Ryan McGinness,” Advertising Criticism, Japan, No. 256, January, pp. 120-124 
Dougherty, Emily. “Board Game,” Nylon, December/January, p. 46 

2001 
____. “Ninety-nine A-List,” Strength, December, p. 72 
Zines, Booth-Clibborn Editions, UK, p. 17 
____. “Pieceofmind,” Umbrella Magazine, Vol. 24, No. 3/4, December 
Te-ton. “Best Must Hit Shit: A.R.O.,” Relax, Japan, December, p. 126 
Dank, Roy. “Anti-Art: Ryan McGinness,” XLR8R, No. 54, November, p. 19 
Kawachi, Taka. “New York & Duchamp: Ryan McGinness,” GQ Japan, Japan, No. 104, October, pp. 112-113
____. “Spunky,” The New Yorker, October 22, p. 14 
Johnson, Ken. “Spunky,” The New York Times, October 19, p. E39 
Bergmans, Jeroen. “The Agenda,” Wallpaper, October, p. 286 
Wright, Jeffrey. “Space: The Final Frontier,” NY Arts, Vol. 6, No. 10, October, p. 76 
Sato, Eko. “Colette Seen By Ryan McGinness,” Studio Voice, Japan, Vol. 310, October, pp. 44-45 
Lewis, Terry. “Graphic Guerrilla,” Jalouse, France, November, pp. 36-37 
Hatakeyama, Hiroyiki. “Art for All: Ryan McGinness,” Relax, Japan, October, pp. 30-35 
____. “Ryan McGinness: Le Livre Or & Noir,” Depeche Mode, France, September, p. 10 
Scrawl: More Dirt, Booth-Clibborn Editions, UK, pp. 72-77 
____. “Q&A,” Gasbook, Japan, No. 11, Fall 
Maekawa, Akane. “Denim to Mode: Ryan McGinness,” Ryoko Tsushin, Japan, Vol. 458, September, p. 85 
____. “Luxurygood,” Umbrella Magazine, USA, Vol. 24, No. 2, August, p. 52 
Hatakeyama, Hiroyiki. “Man Watching,” Relax, Japan, August, p. 20 
de Bure, Gilles. “Ryan McGinness: Portrait,” L’oeil, France, July/August, p. 16 
____. “Fusion,” Sportswear International, Summer, p. 35 
____. “Pure Genius,” i-D, UK, Issue 211, July, p. 36 
____. The Paris Review, Issue 158, Spring/Summer, cover 
Perruche, Céline. “Ryan McGinness: Fun Art,” Perso, France, July/August, p. 18 
____. “Rawhide!,” Strength, July/August, p. 42 
Smith, Roberta. “Ryan McGinness: Vocabularytest,” The New York Times, June 8, p. E31 
____. “Birth (Ryan McGinness),” Fidget, Spring, Issue 4, p. 12 
____. “Colette,” The Style, Japan, June, p. 150 
Wolff, Zoë. “Ryan McGinness Beer Cozies,” Time Out, Issue 296, May 24-31, p. 27 
____. “Ryan McGinness: Vocabularytest,” The New Yorker, May 28, p. 26 
Cotter, Holland. “Mixed Greens at Space 101,” The New York Times, May 18, p. E29 
Kawachi, Taka. “Poetic Horizons: Ryan McGinness,” Studio Voice, Japan, Vol. 306, June, p. 28 
Waterman, Lauren. “Mixed Greens,” Vogue, May, p. 188 
Iwakoshi, Yuka/Noe, Rain. “Ryan McGinness,” Educated Community, Issue 5, Spring, pp. 10-12 
Turner, Grady. “Portnoy’s Complaint: A Memo to Fellow Art Critics,” Flash Art, March-April, pp. 43, 51 
Saizarbitoria, Jauretsi. “Try Not to Graffiti the Chickens,” Jane, April, p. 56 
Hunt, David. “Honcho Featured Artist: Ryan McGinness,” Honcho, March, pp. 75-76 
____. “Tough Enough,” Nylon, March, p. 86 
____. “Art Page,” Flux, Canada, Issue 11, p. 8 
Logo World, P.I.E. Books, Japan 
____. “No Shtick,” Strength, March, p. 36 
Donalds, Ariana. “Full Volume: Ryan McGinness,” Print, Issue LV:I, January/February, pp. 131-133 
Kamijyo, Masahiro. “90s Design Overview: Flatnessisgod,” Design Plex, Japan, January, pp. 35-65 
____. “Ryan McGinness, Luxurygood,” Giant Robot, Issue 20, Spring, p. 14 
Hataketyama, Hiroyuki. “Ryan McGinness,” Ryoko Tsushin, Japan, Vol. 451, February, pp. 32-33 
____. “Alife,” Paper Magazine, January, p. 96 
Velez, Ben. “Welcome to Flavor Country,” Flyer, January, pp. 24-27 
____. “Ryan McGinness,” Sense, Japan, Issue 1, p. 20 
____. “Jesus Beer Koozies,” Vice, Canada, Vol. 7, No. 9, p. 31 
____. “Sound Icons,” Sandbox, Winter, p. 11 

2000 
Search for Art, Italy, Mandarina Duck, pp. 132-133 
Floridis, Tad. “Pop Smear Guerilla Artist,” Gear, November, pp. 36-37 
____. “Board Games,” Details, Fall, p. 164 
Burnham, Helen. “Uncanny Insites,” Interior Spaces in Contemporary Art, exhibition catalog, 
Whitney Museum of American Art at Champion, p. 17 
____. “The Face of Change: 100 Years of Self Portraits,” List, Summer, p. 128 
____. “Postcards from the Edge,” V, Issue 6, Summer, p. 56 
Snyder, Scott. “Ryan McGinness,” Arkitip, Issue 5, pp. 9-13 
Hunt, David. “Tomorrow,” Tomorrow, exhibition catalog, Rare, New York, pp. 8, 32-35 
____. “Hot Graphic Artist: Ryan McGinness,” Details, April, p. 87 
Ivinski, Pamela A. “Begin the Begets,” Print, Issue LIII:VI, p. 20 
Grant, Angelynn. “Book Reviews: flatnessisgod,” Communication Arts, January/February, p. 178 

1999 
Royce, Roger. “Ryan McGinness,” Copper Press, Issue 2, Winter, pp. 76-78 
VanderLans, Rudy. “Selfsameness,” Emigre, Issue 52, Winter, pp. 49-59 
____. “Samplers: 10 Hot Items,” Gear, December, p. 28 
____. “Ryan McGinness,” Fidget, Issue 1, October, p. 16 
Chaplin, Julia. “Pulse: Lafayette Street,” The New York Times, October 3, p. ST3 
____. “Ryan McGinness,” Search for Art Magazine, Italy, No. 2, September, pp. 16-21 
____. “Words About Pictures,” Feed Magazine, feedmag.com 
Blackburn, Mary Walling. “flatnessisgod,” Weekly Alibi, September 27 
Hoyt, Mathew. “Who Uses Who: Flatnessisgod,” Zing Magazine, Vol. 3, Fall, p. 271 
____. “Eye Candy: flatnessisgod,” Pop Culture 1999, Fall, pp. 4, 14 
G. Dave. “Flatness is God,” Vice, Canada, Vol. 6, No.7, p. 81 
____. “Flatnessisgod Review,” Umbrella, Vol. 22, September, p. 83 
Bruton, Clive. “Ryan McGinness: Is it design? Is it art? It is Life!,” DZ3.com, UK 
McCarthy, Jackie. “Sight Gag: Ryan McGinness Makes Artistic Virtue out of Design Necessity.” 
Resonance, Issue 22, pp. 12-13 
Reid, Calvin. “Small Press New York,” Publishers Weekly, August 16, p. 25 
Holland, Taylor. “Off the Bookshelf,” The Austin Chronicle, August 2 
Ferguson, Sarah. “The Punks of Publishing,” The Village Voice, June 30, villagevoice.com 
Turner, Grady. “Museum as Muse,” Flash Art, May/June, p. 48 
Gute, Charles. “Book Report from L.A.,” artnet.com, June 
Stewart, Mathew. “Ryan McGinness Line Art,” Surface, Issue #45, p. 130 
____. “99 to Watch in 99,” Time Out, Jan/Feb, p. 24 
1 & 2 Color Graphics Volume 2, P.I.E. Books, Japan, pp. 47, 103, 213 

1997 
New Typographics 2, P.I.E. Books, Japan, pp. 75, 77, 187 
____. “The Early Word,” Microsoft’s Sidewalk.com 
Morel, James. “McGinness, Ryan J.,” Popsmear Magazine, No. 10, pp. 8-9 

1996 
Stacey, Dave. “Tupperware!” Mommy & I Are One, pp. 50-51 
____. “Opening to End All Openings,” Resident Publications, Fall 
Hammond, Bryce. “Art Haiku,” Hero Ragazine, pp. 34-35 

1995 
Creative Flyer Graphics 2, P.I.E. Books, Japan, pp. 80-81 
____. “Typographic,” Razorfish’s BlueDot 
Morel, James. “Live at Ryan McGinness’ Studio,” Popsmear Magazine, No. 6, p. 50 

Lectures and Publications 

2006 
Guest Lecturer, New York University, New York, NY 
Guest Lecturer, Pratt Institute, New York, NY 
Guest Lecturer, Montserrat College of Art, Beverly, MA 
Guest Lecturer, International Contemporary Art Experts Forum, ARCO, Madrid, Spain 

2005 
Guest Lecturer, USF Contemporary Art Museum, Tampa, FL 
Guest Lecturer, Portland Institute for Contemporary Art, Portland, OR 
Installationview, published by Rizzoli, New York, NY 
Guest Lecturer, School of the Museum of Fine Arts, Boston, MA 
Guest Lecturer, Art Academy, Cincinnati, OH 
Guest Lecturer, Museum of Contemporary Art, San Diego 
Multiverse, published by Galerie du Jour, Paris, France (signed and numbered ed. 1,000) 

2004 
Tokion Magazine, Creativity Now Conference, New York, NY 
Ryan McGinness: Living Signs, published by Galeria Moriarty, Madrid, Spain 

2003 
Guest Lecturer, Corcoran Museum of Art, Washington D.C. 
Project Rainbow, published by Gingko Press, Los Angeles, CA (ed. 2,500) 
Tokion Magazine, Creativity Now Conference, New York, NY 
Guest Lecturer, Art Center, Los Angeles, CA 
Sponsorship, published by Black Market Gallery/Anthem, Los Angeles, CA 

2002 
Ryan McGinness, published by Gasbook/Design Exchange, Tokyo, Japan 
Ryan McGinness: Video Happiness DVD, published by Gasbook/Design Exchange, Tokyo, Japan 
2003 Calendar, published by Colette, Paris, France and Neverstop, Seattle ,WA (ed. 500) 
ResFest, Digital Video Festival, San Francisco, Los Angels, New York, Tokyo, London 
Guest Lecturer, Emily Carr Institue of Art and Design, Vancouver, BC, Canada 

2001 
Guest Lecturer, Parco Gallery, Tokyo, Japan 
Pieceofmind, published by Colette, Paris, France (ed. 1,000) 
Vocabularytest, published by Joseph Silvestro Gallery, Brooklyn, NY (ed. 1,000) 

2000 
Guest Lecturer, Pratt Institute School of Art and Design, Brooklyn, NY 
Guest Lecturer, San Diego State University, San Diego, CA 
Keynote Speaker, Design Carnival, AIGA Conference, Chicago, IL 
Guest Lecturer, Carnegie Mellon University, Pittsburgh, PA 
Luxurygood, published by Alife, New York, NY (signed and numbered ed. 1,000) 
Guest Lecturer, Art Center, Los Angeles, CA 
Guest Lecturer, AIGA Conference, Museum of Contemporary Art, San Diego, CA 

1999 
Keynote Speaker, No Where Now Here, American Center for Design, Chicago, IL 
Selfsameness, published by Emigre Magazine, Sacramento, CA 
Flatnessisgod, published by RSUB, New York, NY