Graciela Sacco
(Argentine, 1956 – 2017)
SOLO EXHIBITIONS
* denotes catalogue published
KEY
I=Installation, LE= Light Environment, MM=Mixed Media P=Performance, S=Sound, V=Video, VI=Video Installation, UA= Urban Action/Interference, PA=Postal Action
2002
New York, World House Gallery, Transitions (09 November – 07 December) LE, MM
Viborg, Denmark, Bradery Gaard Cultural Center for Contemporary Art, New Internationalism LE
Miami, Miami Beach Convemtion Center, World House Gallery at Art Miami 02, (04-08 January) I, MM
London, Scolar Fine Art and Berkeley Square Gallery, Graciela Sacco, Between Us and Selected Recent Work, (15 March – 15 April)* I, MM, UA
Toulouse, 7th Urban Art Festival (June) I, MM, UA
2001
Venice, 9th Venice Biennale, represents Argentina (10 June – 04 November) * I, UA, PA
Mar del Plata, Argentina, Museo del Mar, Bocanada, (05 December 2001 – 05 January 2002)*
Ft. Lauderdale, Museum of Art, Graciela Sacco: Bocanada (27 July – 21 September)* I
Washington, D.C., Art Museum of the Americas, Graciela Sacco: Public Order (02 February-30 March), I
Havana, Cuba, Centro Wilfredo Lam, 7th Bienal de Havana, represents Argentina (17 November 2000 – 20 January 2001)* I, MM, UA
2000
Havana, Cuba, Centro Wilfredo Lam, 7th Bienal de Havana, represents Argentina (17 November 2000 – 20 January 2001)* I, MM, UA
Buenos Aires, Diana Lowenstein Fine Arts, Graciela Sacco (November) I, MM
Caracas, Venezuela, Museo Alejandro Otero, 9th Bienal of Photography of Mexico, represents Argentina I
Mexico City, Centro de la Imagen, 9th Bienal of Photography of Mexico, represents Argentina I
Boston, Massachusetts College of Art, Graciela Sacco: Outside (06 September – 21 October) I, MM
New York, World House Gallery @ The Argentine Consulate, Graciela Sacco: Outside (18 May – 04 August) I
Vigo, Spain, 9th Bienal of Photography, represents Argentina (27 October- 17 December ) I
Rosario, Museo Castagnino, Graciela Sacco: Outside (September – November)* I, MM, S, V
1999
Quito, Ecuador, Centro Cultural de la Alianza Francesa, Graciela Sacco: Un lugar bajo el sol, (19 October 1999 – January 2000) I
Mexico City, Centro de la Imagen, International Bienal of Photography, Graciela Sacco: Sombras del sur y del norte (30 September – November) I
1998
New York, World House Gallery, Graciela Sacco: Un lugar bajo el sol (29 October – 05 December) I, MM
Guatemala City, Museo de Arte Moderno, Graciela Sacco:Un lugar bajo el sol I
Tucumán, Argentina, Museo de Bellas Artes, Tucumán Arde I
1997
Havana, Cuba, Centro Wilfredo Lam, 6th Bienal de Havana, represented Argentina UA, I
Buenos Aires, Fundación Banco Patricios, A Presentation by the Argentine Representative of the 23 São Paulo Bienal I
Rosario, Centro Cultural Parque de España, A Presentation by the Argentine Representative of the 23 São Paulo Bienal I
Cordoba, Argentina, Museo Municipal de Artes Plásticas, A Presentation by the Argentine Representative of the 23 São Paulo Bienal I
Bahia Blanca, Argentina, Museo de Arte Contemporáneo de Bahia Blanca, A Presentation by the Argentine Representative of the 23 São Paulo Bienal I
Puerto Alegre, Brasil, Capitolio, Policultural UA
1996
São Paulo, Brazil, 23rd São Paulo Bienal, represents Argentina* I, MM
1995
Buenos Aires, Ruth Benzacar Gallery, Bocanada I
Rosario, Central Cultural Bernadino Rivadavia, Bocanada VI, INT
1994
Rosario, Museo Castagnino, Bocanada I
Rosario, Urban Intervention I UA
1993
Buenos Aires, Museo Sívori, Centro Cultural de Recoleta, Transport Criticism I
Rosario, Central Cultural Bernadino Rivadavia, Open Passage I, MM
1992
Buenos Aires, Museo Sívori, 500 Years of Repression PA
1991
Rosario, Escuela de Bellas Artes, Tomarte postal action In defense of creative work
Buenos Aires, “Arte al paso” action at the Spinetto Shopping Center coordinated by Fernando Bedoya entitled,Tomarte. UA
1985
Rosario, National Park of the Bandera, Contra-Accion Verde UA
1982
Rosario, Plaza Santa Cruz, Testigos Blancos UA, VI, I
GROUP EXHIBITIONS:
* denotes catalogue published
KEY
I=Installation, LE= Light Environment, MM=Mixed Media P=Performance, S=Sound, V=Video, VI=Video Installation, UA= Urban Action/Interference, PA=Postal Action,
2002
Johnstown, New York, Perella Gallery at Fulton Montgomery College, 10 from Latin America (September – October)
2001
New York, The Bronx Museum of the Arts, Recent Acquisitions (11 April – 09 September) MM
2000
Basel, Switzerland, Diana Lowenstein Fine Arts (Buenos Aires), Art Basel 2000 I, MM
Redmond, Washington, Microsoft Art Collection, Microsoft Corporation, Recent Acquisitions
Chicago, Diana Lowenstein Fine Arts (Buenos Aires), Art Chicago 2000 I, MM
Buenos Aires, International Center for Photography, Centro Cultural Recoleta, Metamorfosis de las manos* (March) I
Rosario, Argentina, Museo Castagnino, Colección de Arte Contemporáneo de Rosario* July) MM
Madrid, Spain, Diana Lowenstein Fine Arts (Buenos Aires), ARCO 2000 I, MM
Buenos Aires, International Center for Photography, Centro Cultural Recoleta, Exterior-Interior, I, MM
Rosario, Centro Cultural Parque de España, Metamorfosis de las manos* (May) I
1999
Rosario, Argentina, Museo Castagnino, 34 ARC* (installation-El Incendio y las Visperas) (19 November 1999 – 28 February 2000) I
Mar del Plata, Argentina, Villa Victoria Ocampo, Metamorfosis de las manos* (26 November-30 December) I
Washington, D.C., Museum of the Americas, Mastering the Millennium* (09 May – 09 August) I, MM
Buenos Aires, Museo Sívori, Centro Cultural de Recoleta, Mastering the Millennium* (09 Septeber – 03 October) I, MM
San Juan, Puerto Rico, Museum of Contemporary Art, Art in New Mediums (Un lugar Bajo el sol) I
1998
Paris, Passage de Retz, Art of the World: 100 Contemporary Artists of the World I
1997
Rosario, Central Cultural Bernadino Rivadavia, La Grafica, Una Apuesta Contemporanea I, MM
Aarhus, Denmark, Kvndetmusset, Latin American Artists –represented Argentina in the European Festival which was dedicated to Latin American Artists, I, UA
Tucumán, (AR), Museum of Fine Arts of the City of Tucuman, Homage to Tucumán Arde, I
Rosario, Centro Cultural Parque de España, Vestidos de azul, UA
Havana, Cuba and Tucumán, Argentina, El combate perpetuo, UA
Porto Alegre, Brazil, 1ª Bienal del Mercosur (2 October – 30 November) I
1996
Santiago, Chile, Museo Nacional de Bellas Artes, Los Limites de la Fotografia I, MM
Buenos Aires, Fundación Banco Patricios, Los Limites de la Fotografia I, MM
Buenos Aires, Fundación Banco Patricios, Argentina-Mexico en Transito I, MM
Mexico City, Museo del Chopo, Argentina-Mexico en Transito I, MM
Madrid, American House, Al rojo vivo, I
1995
Rosario, Museo Castagnino, 11 x 11 I
Buenos Aires, University of Buenos Aires, Forbidden Fruits I
1994
Buenos Aires, Museo Sívori, Salon Manuel Belgrano I, MM
Rosario, Museo Castagnino, 21 Artistas Graficos I, MM
São Paulo, Brazil, Memorial de América Latina, 21Artistas Graficos I, MM
Rosario, Museo Castagnino, Bocanada I, MM
Rosario and Buenos Aires, Urban Intervention II, Bocanada PA
Rosario, Bocanada PA, UA
1993
Buenos Aires, Casal de Catalunya, Windows I
Buenos Aires, Museo Sivori, Transporte critica, I
La Plata, Argentina, Museo de Arte Moderno de la Plata, Our International Book of Stamps and PostmarksMM
1991
Buenos Aires, Museo Sívori, Alternative Graphics I, MM
Rosario, Museo Municipal de Bellas Artes, The Red Line I, MM
1990
Rosario, Central Cultural Bernadino Rivadavia, First Bienal of Alternative Art I
1986
Buenos Aires, Jung Institute, Nueva vision del grabado I, MM
Buenos Aires, Centro Cultural General San Martin, Concierto I
1985
La Plata, Museo de Arte Moderno de la Plata, Xilo, Al Encuentro de la Xilografia I, MM
1984
Rosario, Central Cultural Bernadino Rivadavia, La Lucha Por Los Derechos Humanos I, MM
Buenos Aires, Fondación Arche, Rosarinos en Buenos Aires I, MM
Rosario, Central Cultural Bernadino Rivadavia, Al Margen I, MM
Paraná, Museo Provincial de Bellas Artes, Dr. Pedro Martínez I, MM
Rosario, Central Cultural Bernadino Rivadavia, Seminario Internacional de Arte Correo Y Asociacion Latinoamericana Y del Caribe de Artistas Correo I, MM
1983
Rosario, Centro Cultural Bernadino Rivadavia, Young Artists Pronounce Themselves I, MM
Buenos Aires, Museo Nacional de Bellas Artes, Salon Bienal Arche, Sobre Historias, Magia Y Demase Deudos — I, MM
Rosario, Centro Cultural Bernadino Rivadavia, Version de Madera Y Trapo Para Un Tiempo Cualquiera I, VI
1980
Rosario, Escuela Superior de Bellas Artes MM
BIBLIOGRAPHY:
2002
Feitlowitz, Marguerite. “Graciela Sacco,” article in Review: Latin American Literature and Arts (New York, The Americas Society,) May 2002
LaFuente, Pablo. “Graciela Sacco: Pablo LaFuente meets a politically charged artist intent on urban interference,” article in Art Review (London,) vol. LIII, March, pp.56-57
Behrman, Pryle. “Graciela Sacco,” editorial in Galleries (London,) vol XIX, no. 10, issue 227, March, p.17
Verlichak, Petra. “Art struggles amid the riots,” article in The Art Newspaper, no.122, February, p.3 (with illustration)
Feitlowitz, Marguerite. “Interiew with Graciela Sacco,” article in BOMB Magazine, Winter 01/02
2001
Dezorzi, Silvina. “La rosarina Graciela Sacco se quedó con el premio a la mejor artista del país,” article in La Capital, 08 November, cover and p.7
Camnitzer, Luis. “The 49th Venice Biennale: Prisoners of Time,” Art Nexus, no.42, November 2001 – January 2002, p.53, 54
Sredni de Birbragher, Celia. “Interview: Michael Klein, Curator, Microsoft Art Collection,” Art Nexus, no.41, August – October, p.47, 48
Laudanno, Claudia. “Con sólo mirarte desde las paredes,” Rosario/12, 22 July, Cultura, p.9
Laudanno, Claudia. “La platea de la humanidad,” Rosario/12, 22 July, p.9
Groothuis, Marjan. “Who is watching who,” Buenos Aires Herald, 22 July, Arts, p.12
Staff. “Graciela Sacco desplegó miles de ojos en la Bienal de Venecia,” La Capital, 06 July, Cultura, p.34
Sacco, Graciela. “Las ciudades como libros de piedra,” La Capital, 06 July, p.32
Staff. “K Galleries, Biennale de Venezia,” K-Code (Milan) June-July, (unpag.)
Tantucci, Enrico. “49a Biennale di Venezia: L’inspirazione del mondo,” La Nuova Venezia, 10 June, cover photo and pp.8-9
Staff. “Venezia: Biennale in Laguna,” Time Out (Milan) vol.2, no.7, June, p.18
D’Argenzio, Mirta. “Una bella avventura,” ARS (Milan), June, pp.92-96, illustration, p.96
Staff. “”Biennale di Venezia,” MOOD (Milan) June, p.11
Garzonio, Melisa. “L’Arte della Provocazione,” Soprattutto (Venice) Year 5, no.23, 08 – 14 June, illustration, p.19
Verlichak, Victoria. “Bajo el puente de los suspiros,” Nocticias (Buenos Aires,) 16 June, p.16.
Farina, Fernando. “La 49a edición de la Bienal de Venecia se ofrece como una platea de la humanidad,” La Capital, 11 June, p.19
Farina, Fernando. “Una rosarina entre lo mejor del mundo,” La Capital, 11 June, p.19
Quijano, Ana Martinez. “La nueva Bienal de Venecia se superó en cifras e ingenio,” Ambito Financiero(Buenos Aires,) 11 June, p.3
Staff. “La presencia Argentina,” Ambito Financiero (Buenos Aires,) 11 June, p.3
Arestizábal, Irma. “El valor de lo ambiguo,” La Nacion, 10 June, section 6, p.5
Kolesnicov, Patricia. “Hoy se inaugura la Bienal de Venecia,” Clarin, 09 June, p.70
Klein, Michael. “Graciela Sacco: Visions,” essay in La Biennale de Venezia 49 Esposizione d’Arte, Leandro Erlich / Graciela Sacco, exhibition catalogue, 49th Venice Biennale, Marsilio Editori, Venice
Arestizábal, Irma. “Things are because we see them…” essay in La Biennale de Venezia 49 Esposizione d’Arte, Leandro Erlich / Graciela Sacco, exhibition catalogue, 49th Venice Biennale, Marsilio Editori, Venice
Tucker, Anne, Interview with Graciela Sacco, 06 June, at the 49th Venice Biennale, found at (http://www.netropolitan.org or http://www.netropolitan.org/venice/argenvid.html)
Vetrocq, Marcia E.. “Venice Biennale Goes Public,” in “Front Page,” Art in America, May, p.41
Laudanno, Claudia. “La problemática de la mirada en la obra de Graciela Sacco,” Rosario/12, 08 May, Cultura, p.6
Sacco, Graciela. “Entre nosotros (Bienal de Venecia 2001),” Rosario/12, 08 May
Staff. “Plateau of Mankind at the Venice Biennale,” Tema Celeste, no. 85, May-June
Koh, Germaine. “Review: Havana Biennial,” Frieze (London) Issue 58, April, pp.106-107
Nieves, Marysol. “Gallery Notes,” essay in Recent Acquisitions, brochure for The Bronx Museum of the Arts, (12 April – 09 September)
MacMullin, Cynthia. “Graciela Sacco: Public Order,” LatinArt.com, March
Castle, Ted. “Graciela Sacco at World House Gallery,” Art in America, February
Aillón Valverde, Alex. “Graciela Sacco: orden público,” Tempos del Mundo (Washington, D.C.), 01 March, p.A14
Gainza, Maria. “Graciela Sacco at Diana Lowenstein Fine Arts,” ARTnews, March
Laudanno, Claudia. Graciela Sacco: Transposing the Borders, article in Art Nexus, no. 39, February – April, pp.40-45
Pini, Ivonne. Art Nexus, no.39, February – April, p.7
Weiss, Rachel. “Planet Buenavista: The Orbit of the 7th Havana Biennial,” <u>Art Nexus</u>, no.39, February – April, p.51
2000
Rexer, Lyle. “Bringing Argentina Out of the Shadow,” The New York Times, 09 July (Sunday)
Staff. “El New York Times también habla de la rosarina Sacco,” La Capital, 17 July
Benitez Dueñas, Issa Maria. “ARCO 2000,” Art Nexus, May – July, pp.109, 110.
Grinstein, Eva. “34 ARC – 34 Contemporary Artists from Rosario,” Art Nexus, May – July
Temin, Christine. “Argentine sheds light on dark subjects, The Boston Globe, 04 October
Silver, Joanne. “Exhibit offers a portrait of freedom,” The Boston Herald, 15 September
Staff. “La rosarina Graciela Sacco ya tuvo su primera retrospectiva en Boston,” La Capital, 15 September
Farina, Fernando. “Graciela Sacco realiza interferencias para cuestionar la situación social,” La Capital, 09 October 2000
Lebenglik, Fabián. “Total Interferencia,” Radar (Buenos Aires) 12 October, pp.12-13,
Castaños, Marcelo. ” ‘Yo produzco arte en la ciudad, pero es Buenos Aires la que me legitima,’ ” La Capital, 12 November.
Anaya, Jorge López. “Sombras perturbadoras,” La Nacion, 10 December.
1999
Kenny, Kay. “Graciela Sacco at World House Gallery,” Cover, (New York) January – February
Arestizábal, Irma. “La Metamofosis de la Mano,” essay in La Metamofosis de la Mano, exhibition catalogue, Villa Victoria Ocampo, Mar del Plata (traveled)
Nahas, Dominique. “Graciela Sacco’s ‘A Place in the Sun’ at World House Gallery,” D’Art International, Winter
Escallón, Ana María. Essay in Mastering the Millennium: Art of the Americas, Art Museum of the Americas, Washington, D.C.
1998
Kenny, Kay. “Graciela Sacco at World House Gallery,” Fotophile, Autumn
1997
Grinstein, Eva. “Graciela Sacco arroja sus piedras,” El Cronista (Buenos Aires), 05 February
Bækgaard, Bjarne. “En mundfuld kropskunst,” Aarhus Stiftstidende (Denmark) 23 August
Feinsilber, Laura. “Acierta Sacco con su obra critica,” Ambito Financiero (Buenos Aires,)
Bækgaard, Bjarne. “Al kunst er politisk,” Aarhus Stiftstidende, (Denmark) 30 August
Staff. “Anråbende kunst” Aarhus Stiftstidende, (Denmark) 31 August
1996
Arestizábal, Irma. “Let the image remain!” essay in Graciela Sacco, catalogue for the 23rd São Paulo Bienal
Giunta, Andrea. ‘Urban Imageries” essay in Graciela Sacco, catalogue for the 23rd São Paulo Bienal
Komatsu, Alberto. “A arte da Argentina nas ruas,” Gazeta Mercantil (São Paulo), 10 Nov
Staff. “Graciela Sacco participa da Bienal,” Vale Paraibano (São Paulo) 19 May
De Moraes, Angélica. “Graciela Sacco mostrará novo rumo da arte Argentina na Bienal,” Gazeta de Alagoas(São Paulo) 26 May
De Moraes, Angélica. “Bienal anuncia artista oficial da Argentina,” Visuais (São Paulo) 17 May
Staff. “Graciela Sacco mostrará novo rumo da arte Argentina na Bienal,” Diário de Notícias (São Paulo) 17 May
Selected Public Collections
The Museum of Modern Art, New York
(Prints and Illustrated Books Department)
The Bronx Museum of the Arts, New York
The Museum of Fine Arts, Houston
The Museum of Art, Ft. Lauderdale
University Gallery, University of Delaware, Newark, Delaware
University of Essex, Colchester, England
The Microsoft Art Collection, Microsoft Corporation, Redmond, Washington
The Progressive Corporation, Mayfield Village, Ohio
Museo de Arte Moderno (MAM) Buenos Aires, Argentina
Museo de Bellas Artes, Rosario, Argentina
Museum of the City of Buenos Aires, Buenos Aires, Argentina
Fundacion Banco Patricios, Buenos Aires, Argentina
Fundacion Mario Pantaleo, Buenos Aires, Argentina
Capitolio Policultural, Puerto Alegre, Brasil
The Helft Collection, Buenos Aires, Argentina
Martinez Carbonell Collection, Rosario, Argentina
Jaques Bartho Collection, Paris, France
El Circulo Association Collection, Rosario, Argentina
The Levinas Collection, Bethesda, Maryland